plus support
WASTEFELLOW
_ Main Venue _“Such confident, experimental songwriting points to a rebirth for Wild Nothing, and means ‘Life Of Pause’ can be considered alongside indie records like Tame Impala’s ‘Currents’ and Unknown Mortal Orchestra’s ‘Multi-Love’.
Both came out last year, signalling a shift in sound and a significant step forward for their makers. This record should do the same for Jack Tatum.” – NME 8/10
“Wild Nothing’s second album, Nocturne, distinguishes itself from the crowded pack of dream-pop nostalgists for the same reason 2010’sGemini did– Jack Tatum is simply one of the best songwriters in this field.” – Pitchfork 8.8 Best New Music
Paradise (from the album Nocturne)
Only Heather (from the album Nocturne)
To Know You / TV Queen (the Living Album Art of Life of Pause)
Life of Pause – 02/19/16 (Captured Tracks)
When Jack Tatum began work on Life of Pause, his third full-length to date, he had lofty ambitions: Don’t just write another album; create another world. One with enough detail and texture and dimension that a listener could step inside, explore, and inhabit it as they see fit. “I desperately wanted for this to be the kind of record that would displace me,” he says. “I’m terrified by the idea of being any one thing, or being of any one genre. And whether or not I accomplish that, I know that my only hope of getting there is to constantly reinvent. That reinvention doesn’t need to be drastic, but every new record has to have its own identity, and it has to have a separate set of goals from what came before.”
What came before: a rightfully acclaimed, much beloved display of singular pop craftsmanship. Tatum’s dreamy, unexpected 2010 debut, Gemini, was written while he was still a student at Virginia Tech University. It’s equally disarming follow-up, 2012’s Nocturne, marked the first time he’d been able to bring his bedroom recordings into a studio, to be performed and fully realized with the help of other musicians. There has been a set of wonderfully expansive EPs in between—each hinting at new directions and punctuating previous ideas—but with Life of Pause, Tatum delivers what he describes as his most “honest” and “mature” work yet, an exquisitely arranged and beautifully recorded collection of songs that marry the immediate with the indefinable. “I allowed myself to go down every route I could imagine even if it ended up not working for me,” he says. “I owe it to myself to take as many risks as possible. Songs are songs and you have to allow yourself to be open to everything.”
After a prolonged period of writing and experimentation, recording took place over several weeks in both Los Angeles and Stockholm, with producer Thom Monahan (Devendra Banhart, Beachwood Sparks) helping Tatum in his search for a more natural and organically textured sound. In Sweden, in a studio once owned by ABBA, they enlisted Peter, Bjorn and John drummer John Ericsson and fellow Swedish Radio Symphony Orchestra veteran Pelle Jacobsson, to contribute drums and marimba. In California, at Monahan’s home, Tatum collaborated with Medicine guitarist Brad Laner and a crew of saxophonists. From the hypnotic polyrhythms of “Reichpop” to the sugary howl of “Japanese Alice” to the hallucinogenic R&B of “A Woman’s Wisdom,” the result is a complete, fully immersive listening environment. “I just kept things really simple, writing as ideas came to me,” he says. “There’s definitely a different kind of ‘self’ in the picture this time around. There’s no real love lost, it’s much more a record of coming to terms and defining what it is that you have—your place, your relationships. I view every record as an opportunity to write better songs. At the end of the day it still sounds like me, just new.”
— — — — —
€18.50 available online from WAV Tickets or Lo-Call 1890 200 078 (1-8pm M-F, 4-8pm Sat)
– 50c per ticket service charge applies on phone, internet or creditcard bookings. Final ticket price may be higher from other outlets.
Strictly over 18′s, I.D. may be required
AFTER THE GIG
Whelan’s Silent Disco, now every Mon, Tue & Wed from 11pm – 2 DJs, just pick the one you like best [Free Entry] plus Late Bar.
Aiken Promotions Presents
“Such confident, experimental songwriting points to a rebirth for Wild Nothing, and means ‘Life Of Pause’ can be considered alongside indie records like Tame Impala’s ‘Currents’ and Unknown Mortal Orchestra’s ‘Multi-Love’.
Both came out last year, signalling a shift in sound and a significant step forward for their makers. This record should do the same for Jack Tatum.” – NME 8/10
“Wild Nothing’s second album, Nocturne, distinguishes itself from the crowded pack of dream-pop nostalgists for the same reason 2010’sGemini did– Jack Tatum is simply one of the best songwriters in this field.” – Pitchfork 8.8 Best New Music
Paradise (from the album Nocturne)
Only Heather (from the album Nocturne)
To Know You / TV Queen (the Living Album Art of Life of Pause)
Life of Pause – 02/19/16 (Captured Tracks)
When Jack Tatum began work on Life of Pause, his third full-length to date, he had lofty ambitions: Don’t just write another album; create another world. One with enough detail and texture and dimension that a listener could step inside, explore, and inhabit it as they see fit. “I desperately wanted for this to be the kind of record that would displace me,” he says. “I’m terrified by the idea of being any one thing, or being of any one genre. And whether or not I accomplish that, I know that my only hope of getting there is to constantly reinvent. That reinvention doesn’t need to be drastic, but every new record has to have its own identity, and it has to have a separate set of goals from what came before.”
What came before: a rightfully acclaimed, much beloved display of singular pop craftsmanship. Tatum’s dreamy, unexpected 2010 debut, Gemini, was written while he was still a student at Virginia Tech University. It’s equally disarming follow-up, 2012’s Nocturne, marked the first time he’d been able to bring his bedroom recordings into a studio, to be performed and fully realized with the help of other musicians. There has been a set of wonderfully expansive EPs in between—each hinting at new directions and punctuating previous ideas—but with Life of Pause, Tatum delivers what he describes as his most “honest” and “mature” work yet, an exquisitely arranged and beautifully recorded collection of songs that marry the immediate with the indefinable. “I allowed myself to go down every route I could imagine even if it ended up not working for me,” he says. “I owe it to myself to take as many risks as possible. Songs are songs and you have to allow yourself to be open to everything.”
After a prolonged period of writing and experimentation, recording took place over several weeks in both Los Angeles and Stockholm, with producer Thom Monahan (Devendra Banhart, Beachwood Sparks) helping Tatum in his search for a more natural and organically textured sound. In Sweden, in a studio once owned by ABBA, they enlisted Peter, Bjorn and John drummer John Ericsson and fellow Swedish Radio Symphony Orchestra veteran Pelle Jacobsson, to contribute drums and marimba. In California, at Monahan’s home, Tatum collaborated with Medicine guitarist Brad Laner and a crew of saxophonists. From the hypnotic polyrhythms of “Reichpop” to the sugary howl of “Japanese Alice” to the hallucinogenic R&B of “A Woman’s Wisdom,” the result is a complete, fully immersive listening environment. “I just kept things really simple, writing as ideas came to me,” he says. “There’s definitely a different kind of ‘self’ in the picture this time around. There’s no real love lost, it’s much more a record of coming to terms and defining what it is that you have—your place, your relationships. I view every record as an opportunity to write better songs. At the end of the day it still sounds like me, just new.”
— — — — —