THIS GIG HAS BEEN RESCHEDULED
NEW DATE/VENUE: Aug 30th 2022 at The Academy Green Room
Original tickets are still valid
Sorry for any inconvenience caused
— — — — —
RESCHEDULED DATE, ORIGINAL TICKETS STILL VALID
MCD proudly present
Mon 7th Feb 2022
Whelan’s Main Venue
***COVID-19 CERT + PHOTO I.D. REQUIRED***
It all started with a feeling of relief. Just after midnight on New Year’s Eve, Alexandra Savior, who was six months out of a rocky relationship and appreciating her independence, sat down and wrote the song that would become “Crying All the Time.” The melodic, heart-rending ballad, she says, “is about how it feels to be in a relationship with a person who’s disappointed in you,” but it’s also a clarion call announcing the arrival of her sophomore album, The Archer, out DATETK. The dreamy, melancholy song, the first single from The Archer, feels at once classic and contemporary; it’s a torch song for a new generation.
Her message gets across loud and clear. Tracks like “Crying All the Time” and “Saving Grace” are big songs—ambitious and atmospheric—that put Savior’s ethereal voice and sharp writing on display. “It came from a place of anger,” she says of “Saving Grace,” the album’s writhing second single. “I had gone through a breakup and people kept telling me it was a saving grace, and I found it ironic because I was so heartbroken.” In some of the songs, Savior’s emotions unfold like thunderstorms and envelop everything going on around them. Other numbers, like “Soft Currents,” feel quiet and more intimate, like a whispered secret nobody was meant to hear.
The Oregon native first gained industry attention in 2012 when she posted a cover of Angus Stone’s “Big Jet Plane” on YouTube. The playful, haunting performance landed her a legion of influential fans—she ended up songwriting with Linda Perry, who compared her to Fiona Apple—and put her on the road toward releasing her debut album, 2017’s Belladonna of Sadness, which was written in tandem with the Arctic Monkey’s Alex Turner and produced by Simian Mobile Disco’s James Ford. Pitchfork praised the album, saying, “Savior has a penchant for clever wordplay and a voice that can hypnotize, terrorize, or both,” and the Guardian swooned for Savior’s “preternatural self-possession” and “crystalline, intimate voice.”
Still, with The Archer, Savior says, “I felt like I needed to establish my own voice and show my independence again.” A listen to the new album will prove that she’s done that, and then some. It’s not only the establishment of a voice, but a showcase for an extraordinary talent at the peak of her power. She’s already at work writing songs for what will be her next release.
Alexandra Savior will play Whelan’s on Mon 7th Feb 2022 with tickets from €17.50 on sale now.
€17.50 available online from Whelan’s
– 50c per ticket service charge applies on all bookings. Final ticket price may be higher from other outlets.
Strictly over 18′s, I.D. may be required