from Great Lake Swimmers
Tickets €15 (inc. booking fee) available from Ticketmaster and usual outlets. www.ticketmaster.ie
There are many kind of stitches: seams to secure sleeves into armholes … sutures closing wounds and deep incisions … loops or crosses of embroidery floss … a sudden pain in the side. Stitches, the new album from Califone, touches on all these definitions, its episodes of discomfort and healing rendered with exquisite beauty and craftsmanship.
Intimate timbres–garage sale drum machines, slack guitar strings, hushed vocals–offset the album’s cinematic inclinations. The listener moves through a landscape of Old Testament blood and guts, spaghetti Western deserts and Southwestern horizons, zeroing in on emotions and images that cannot be glanced over. Motes of dust dance briefly in afternoon sunlight.
“This is the only record I’ve made in my life where none of the work was done in Chicago,” says Califone’s Tim Rutili. The writing and recording began in Southern California, then continued in Arizona and Texas. “Those dry landscapes and beaches and hills and shopping malls all made it into the music,” he acknowledges. Uniquely homespun elements are interwoven into the songs, too, including sounds Rutili recorded in his backyard during rainfall and while driving in his car.
Brass, pedal steel, and strings color in the edges and outlines songs like “Frosted Tips,” “We Are A Payphone,” “Moonbath.brainsalt.a.holy.
Archetypes and mythological figures rub shoulders with bruised civilians throughout this odyssey. Though Rutili is not a religious man, episodes from the Bible in particular kept entering his psyche as he wrote. “I’m fascinated with why some stories and characters resonate and last for thousands of years, and are so easily transposed onto all our lives and rites of passage, no matter how absurd or surreal they are.”
In some regards, Stitches harks back to those earliest days of Califone. There was more home recording, and musicians came and went as the songs dictated. “It was a much more solitary process, and that freed me up to feel less self-conscious about singing and writing more personal lyrics.” Yet the ultimate outcome sounds like the work of an artist reborn. “I tried to keep the songs visual and poetic, but it was more important to allow myself to feel and be vulnerable and not hide in the music,” Rutili says. “Instead of writing from my balls and brain, this time I wrote from the nerves, skin, and heart.”
Stitches–the word and the album–can mean different things to many people. Your own interpretations are welcomed and encouraged.
Strictly over 18′s, I.D. may be required.
AFTER THE GIG
Whelan’s Indie Club /// ZEBRA /// [Live Bands and guest DJs] w/ Late Bar from 10:30pm (Free entry before 10:30pm).