Whelan's, Wexford Street, Dublin 2. Tel: 01 478 0766  |  Ticket Sales WaV Box Office - Closed due to COVID-19. Online Sales Only  |  info@whelanslive.com

Aiken Promotions presents

Saturday 28th January

CHATHAM COUNTY LINE

Buy Tickets 2016 master

ON SALE THUR 8th SEPT, 9am

Aiken Promtions presents

CHATHAM COUNTY LINE

plus support

_ Main Venue _

Facebook event

‘’Our band is a lot like this place,” says Chatham County Line guitarist, lead singer and songwriter Dave Wilson. His eyes wander across the original hardwood lanes of the mid-century Raleigh bowling alley where he just finished rolling and drinking two rounds. Playing traditional string band instrumentation around a single microphone while clad in suits and ties visually projects a similar sepia-toned timelessness. “We create a product that you’re familiar with and you’ll enjoy going back to because you know what to expect. My dad ran a local hardware store years ago and I always felt like we shared that.”

Sure enough, like a small town store, there’s no dramatic tale or sexy hook to fuel the hype machine for Autumn, the seventh studio album since the Raleigh, NC-based Chatham County Line—Wilson, John Teer (mandolin/fiddle), Chandler Holt (banjo), and Greg Readling (bass, pedal steel, piano)—coalesced in the late 1990’s. Instead, the story behind the workmanlike group’s newest release—available September 2, 2016 via Yep Roc Records—is simple: A veteran ensemble at the top of its game sticking to its considerable strengths—poignant songwriting and inventive acoustic arrangements that draw upon a broad array of American roots influences, highlighted by trademark three- and four-part harmonies that shine throughout. But like the flat-screen televisions that now dot those bowling lanes, the quartet respects its history—from bluegrass inventor Bill Monroe to innovators like John Hartford—while remaining mindful of more modern influences, including its members’ backgrounds in rock bands.

“We were so obsessive about the way Tightrope sounded and making sure we got the songs right that this record was kind of a 180 from that,” Wilson explains, referring to the meticulous, multi-year process that birthed Autumn’s predecessor. “I think we were all exhausted from that process and wanted to just take the songs I had written and record them.” Thanks to the more casual approach, Autumn marries the comfortable maturity of 2014’s Tightrope with the welcome spontaneity of Chatham County Line’s earlier work. With some finishing touches done at Durham, NC’s Overdub Lane, two brief sessions—produced by Wilson at Kernersville, NC’s Fidelitorium—over the falls of 2014 and 2015 yielded not only the eleven tracks that comprise Autumn, but also a title for the album.

Fortunately for fans, Chatham County Line has no plans to cut back on its live engagements, from the elegant European concert halls to the large American folk festivals at which the quartet has become a fixture. On stage, the musical relationships fostered by its consistent line-up are apparent, through an unspoken chemistry that allows the freedom for improvisational flashes that seem as polished as the rest of its set. Those moments keep performances fresh as the band’s best-known songs become concert staples, despite a deep catalog that features dozens of stellar tunes. “The fans drive the setlist and the songs that we feel like we need to play every night,” Wilson states. “But this is never a position that I thought we would be in, that there would be all these songs we wrote that people listen to and make babies to, so then they bring the baby to the show to hear that particular song.”

“The conundrum of this new record is what old songs do we take out of the set and which new ones do we put in,” Holt muses, agreeing with Wilson that it’s a good problem to have for a group in its second decade of making music on its own terms, happy to avoid the path of acts that have morphed into business juggernauts. “Music today has almost become about everything else besides the music, but for the four of us, it’s very much the opposite of that. We get to do what we want to do. What else is there?”

Tickets priced €16.50 on sale from Thursday 8th September at 9am from www.whelanslive.com, www.ticketmaster.ie & usual outlets nationwide.

TICKETS

€16.50 available online from WAV Tickets or Lo-Call 1890 200 078 (1-8pm M-F, 4-8pm Sat)

– 50c per ticket service charge applies on phone, internet or creditcard bookings. Final ticket price may be higher from other outlets.

Strictly over 18′s, I.D. may be required.

AFTER THE GIG

Whelan’s Indie Club w/ Late Bar from 10:30pm or check out the bands playing The Midnight Hour in the upstairs venue – Free Entry via front door until 10:30pm | Drinks Promos

  • Whelan's, 25 Wexford St.
  • Doors: 8pm
  • Tickets: €16.50